About the artist

About the work

I work with painting and drawing as a processes that begins in uncertainty. My images develop through observing, hesitating, deciding and often revising these decisions again.

Lines, shapes and figures appear, dissolve and return in altered form. Through overpainting, erasure and rebuilding, pictorial spaces emerge that are never fixed but remain in a state of becoming. I am interested in moments of in-between: states in which figures neither act nor rest, but remain suspended. These moments are zones of potential, of waiting, searching and reorientation.

Drawing often forms the starting point of my work. It is a searching movement that suggests spaces and figures without fixing them. In the painting process, these initial structures are tested, disrupted and reconfigured. Decisions are not understood as final statements, but as movements within an open process. Figures, spaces and landscapes merge and shift into one another. Boundaries remain fluid; lines that define one element may simultaneously dissolve another. In this interplay, hybrid spaces emerge — spaces in which perception, memory and projection overlap.

Painting, for me, is a way of working through how we look at the world, and how we position ourselves within it. It is a practice of attention: staying with uncertainty, allowing transformation, and letting meaning emerge through the act of painting itself.